Live & Stage.

The t.bone MB 75 Beta is a superb instrument microphone you can literally use on any sound source in the studio or on stage. Its main difference between it and standard microphones is the narrower pattern of a super-cardioid. Side and backwards rejection are higher, so signals are more separated from each other.

With this couple of small-diaphragm condenser microphones, you are perfectly prepared to capture every detail for a classy recording or compelling live performance. Be it drum overheads, an acoustic guitar, strings, or even a complete choir or orchestra. The t.bone EM 700 even comes with a stereo bar and shock mounts

Our t.bone MB 75 is a true jack-of-all-trades, when it comes to instrument recording or reinforcement. It handles loud sources as well as delicate and very detailed ones, is easy to position and hard to break. It utilises a cardioid capsule, so the sound rejection is the highest from the exact backside.

Sometimes, microphones should not be too flashy. For example, when video is involved. But a clean and tidy look and a proper sound quality are a contradiction, you say? It isn’t! You will be thrilled how good the tiny t.bone Ovid sounds. And there are clips and mounts for almost any application available!

In the t.bone DC 4000’s case, you will find everything you need to do a high-class miking of a drum set. A microphone designed especially for the kick drum, a set of four dynamic snare or tom microphones and a stereo couple of small diaphragm condenser mics form a terrific bundle!