Specifications
the t.bone Ovid System CC 100 RC EW
Condenser Clip Microphone for the Ovid System
- Easy installation with different instrument holders (optional – not included)
- With phantom power adapter (phantom power required)
- Removable cable with screw contact
- Directivity: Cardioid
- Frequency range: 20 – 20,000 Hz
- Flexible goose neck for easy alignment on the instrument
- Cable with Sennheiser EW connector for Sennheiser EW wireless systems
- Length of gooseneck: 130 mm
- Cable length: 1.2 m
- Optional cable with Shure TQG plug and 3-pin TQG plug for the t.bone and AKG systems sold separately (not included)
- Includes foam windscreen
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More Information
Compact microphone easily
attaches anywhere.
There are occasions when a microphone is best kept out of sight. For example, if performance is videotaped, bulky mics, stands and thick cables can impair the picture. And while microphones can certainly look attractive on stage, they clearly draw attention away from the instruments, atmosphere and of course the instrumentalist.
Condenser with cardioid pattern
A bright, transparent and highly detailed micro condenser capsule is the heart of the Ovid CC 100. With its cardioid polar pattern, it is easy to block out unwanted neighbouring sound sources and reverberation. Despite its small size, the field sensitivity is at 8.7 mV/Pa and the noise at a low 20.3 dB(A), with an impedance of 1500 ohms. With 110 dB SPL max., it can handle louder sources, as well. The tiny capsule is covered in foam to avoid pops and wind noise, and the head is suspended in order to keep vibration at an absolute minimum. As a condenser microphone, it requires phantom power to operate.
Detachable cable to Sennheiser EW
Its 130 millimetre gooseneck makes the t.bone Ovid System CC 100 easy to position. Various inexpensive clips and clamps are available for attaching it to any instrument. The detachable 2-metre cable leads to a screw-on EW plug that is compatible with Sennheiser EW wireless systems. The CC 100 comes with an adapter that allows you to connect the microphone to any standard XLR microphone input that supplies phantom power. Once you’ve used the CC 100, you probably won’t miss large studio condenser microphones or expensive stage microphones at all!
